6th Annual Wollesen Symposium

CONFRONTING THE EXHIBITIONARY ORDER

REGISTRATION

poster-final

The Wollesen Memorial Graduate Symposium is the annual symposium for the Graduate Union of the Students of Art (GUStA) at the University of Toronto. It was inaugurated in 2014 as an enduring legacy and fond tribute to our esteemed late colleague Dr. Jens T. Wollesen.

This year, GUStA continues the tribute with a symposium entitled “Confronting the Exhibitionary Order.”

The history of display tactics of visual and material culture created staging realms that imbued problematic and controversial resonances, shaping today’s culture and society. We welcome innovative contributions that critically engage with the history of exhibitionary orders and classification systems as tools for defining, ordering, and representing the world as an endless exhibition. Modernism as an aesthetic movement presented itself as ahistorical and transnational, grounded in essentialism and universality. However, the classification systems that helped inform modernism were dependent on comparative cognitive shortcuts and coded stereotypes that lay claim to the superiority and accomplishments of western civilization. World fairs are pivotal examples of how classification systems operated, as they become staging realms where countries were systematically organized from least to most civilized. Anthropological and ethnographic research also substantiated a lot of racist stereotypes, contributing to this narrative of objective ordering. This symposium seeks to question how the creation, presentation, and dissemination of visual and material culture and knowledge have resulted in the perpetuation of problematic imperial hierarchies. Debates around reparations continue to percolate in today’s political climate, urging us to interrogate the display tactics of museums, galleries, and biennials, as well as larger questions of exhibitionary orders in the world. In collaboration with HASA’s conference titled “The Problematic in Art,” the Wollesen Memorial Symposium hopes to facilitate a productive discussion that challenges the problematic histories and practices of display, particularly viewing and ordering the world as exhibition.

Introductory address: Dr. Elizabeth Harney
Kenote Address: Dr. Julie Crooks

Session 1:

Andrew Bailey (PhD. Student, Art History and Visual Culture, York University)
“Unity Worlding: Examining Systems and Simulation within the Game Art of Ian Cheng”

Atif Khan (MA Student, Geography and Planning, University of Toronto)
“Mapping Violent Borderlands in AfPak: Spatial Practices of Drone Warfare”

Sameena Siddiqui (PhD. Student, Art History, University of British Columbia)
“Mapping Mela (fair) Spaces in Cantonment and Suburban Towns of United Provinces (North India)”

Session 2:

Céline Stantina (PhD. Student, History of Science, McGill University)
“The ‘Narwhal Anderson,’ or how to ‘create’ new species of cetaceans from hearsay.”

Cody Rossler (PhD. Student, History, Stony Brook University)
“Wax Hierarchies: Molding Scientific Racism at the Crystal Palace at Sydenham”

Erica Chan (MA Student, Art History, Queen’s University)
“(Re)Claiming Ownership: The Restitution and Repatriation of the Musée Napoléon”

Session 3:

Becca Fischer (PhD. Student, History of Art McGill University)
“Race and Memory at the Gettysburg National Military Park”

Connor Hamm (PhD. Student, Art History, University of California, Los Angeles)
“Around the Art World in 100 Days: Documenta and the limits of Global Contemporary Art”

Julia Trojanowski (MA Student, Art History, University of Toronto
“Roots in Reality and Response in Utopia: Bodys Isek Kingelez’ Extrêmes Maquettes”

Session 4:

Jason Cyrus (MA Student, Art History, York University)
“Challenging Heteronormativity in Museums: A Deeper Look at A Queer History of Fashion”

Rachel Gerry (MA Student, English, University of Toronto)
“The Aesthetic Politics of Affective Production: Artworks and Bodies in the University”

Ojo Aji (MA Student, Women and Gender Studies, University of Toronto)
“Art, Controversy and the Politics of Knowledge Production in Open Casket”

Reception: 5:30-8pm, South Dining Room, Hart House

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s